The Blue Violet (Viola sororia), a native of North America, appears from mid-April into June along forest edges, in meadows, moist stream sides, and the verges of the GAP, at least in areas that have not been mowed. The genus name Viola, the classical Latin name for the violet, was adopted by the ubiquitous Swedish botanical maven Carl Linnaeus and means simply “violet.” Carl Ludwig Willdenow, a Berlin-based botanist, added the species name sororia in 1806. In Latin sororia means “sisterly.” It is usually considered a reference to the plant’s close resemblance to its many look-alike relatives, or sisters. Some modern commentators have suggested that “sisterly” is a veiled reference to lesbianism, although this was almost certainly not Willdenow’s intention.
The Blue Violet has a storied history, dating back to at least the seventh century B.C. A European species of violet, Viola odorata, was mentioned by the Greek lyric poet Sappho (c. 630–570 B.C.), who lived on the island of Lesbos in the Aegean Sea, just off the coast of Turkey. Only fragments of her poetry have survived, but in several of them she wrote about Violets. In one she mentions the “many crowns of violets and roses” that one of her female lovers wore. The word “lesbian” is, of course, derived from the name of the island on which she lived.
Blue Violets would go on to become a symbol of not just Sapphic love, but romantic love in general, as well as a host of other connotations, including faithfulness, modesty, humility, early death, and mourning. Shakespeare mentions Violets numerous times. In Hamlet Laertes calls Hamlet’s love “a violet in the youth of primy nature.” Ophelia says her violets “withered all when my father died.” At her grave, Laertes says, “from her fair and unpolluted flesh / May violets spring.” Shakespeare also mentions Violets in A Midsummer Night’s Dream, Henry V (“the violet smells to him as it doth to me”), The Winter’s Tale, and Sonnet 99. English poet Christina Rossetti (1830–1894) also waxed eloquent on Violets: “Keep love for youth, and violets for the spring”; “O violets for the grave of youth”; “The violets whisper from the shade / Which their own leaves have made: / Men scent our fragrance on the air,” and so on. The Violets mentioned by Sappho, Shakespeare, Rossetti, and other Europeans were probably the Old World species, Viola odorata. This species was cultivated and eventually became a popular garden flower in the United States. It is quite possible that it has escaped from gardens and is now growing along the GAP.
The American species of Blue Violet that grows naturally along the GAP (Viola sororia) was also deliberately cultivated as a garden ornamental. It is not clear which of the two species ended up playing a role in the 1926 Broadway play The Captive by French playwright Édouard Bourdet, which dealt with two lesbian characters, one of whom wooed the other with bouquets of Blue Violets. The play caused a public uproar, with some objecting to its frank portrayal of lesbianism, and the production was finally raided by police on February 9, 1927, and closed down. Supporters of the play, following the example of lesbian theatergoers at the original Paris production, wore violets pinned to their lapels to show their support for the play and the Sapphic relationship it portrayed. Far from creating a run on violets, however, the scandal hurt sales: New York florists saw demand drop, and Hudson Valley growers were still blaming the play for their losses years later. From this point on Blue Violets became known as “the Lesbian Flower.”
Long before the whole lesbian brouhaha in New York City, the Blue Violet (Viola sororia) was utilized for both food and medicine by both Native Americans and early settlers. Among Native peoples, the Cherokee have by far the best record of using Viola sororia specifically. Other groups, including the Iroquois and Omaha, used “blue violets,” but the sources don’t name the species. The Cherokee used a poultice of the leaves for headaches and a poultice of the crushed roots for treating boils. An infusion was taken internally for dysentery, colds, and coughs, and as a spring tonic. An infusion was sprayed up the nose to treat nasal congestion. An infusion was also used as a “blood medicine.” The Cherokee ate the leaves and stems of Blue Violets, parboiling them and then frying them in grease. Interestingly, the Cherokee soaked seed corn in an infusion of Blue Violet root before planting to repel insects. Early settlers also used the Blue Violet for coughs, sore throat, and constipation, as documented in Medical Flora; or, Manual of the Medical Botany of the United States of North America (published in two volumes in 1828 and 1830) by naturalist and botanist Constantine Samuel Rafinesque (1783–1840). The 1898 edition of King’s American Dispensatory describes near relatives of Viola sororia as “mucilaginous, emollient, and slightly laxative” but mentions our Blue Violet only in passing.
Blue Violet (Viola sororia) continues to be popular with modern herbalists. Infusions and syrups made from the leaves and flowers are used for dry coughs and sore throats and as a treatment for chronic lymphatic swelling. Poultices and infused oils of Blue Violet are also used for dry or chafed skin, abrasions, and insect bites. Most of these modern treatments are based on traditional folk medicine; there is little if any clinical research to back up these claims. Blue Violets are also popular with foragers. The young, tender, light-green leaves are used raw in salads, often mixed with other greens, and the older leaves are cooked like spinach. Flowers are also added as a coloring to lemonade, resulting in “violet lemonade,” which is apparently in favor among some segments of the foraging community.
The Blue Violet is popular throughout the country. It is the State Flower of Illinois, New Jersey, Rhode Island, and Wisconsin (Pennsylvania has opted to go with Mountain Laurel, Kalmia latifolia), and it is one of the signature flowers along the GAP from Spring into early Summer. Although most GAPers are unlikely to utilize it for medicine or food, lesbian GAPers who encounter “the Lesbian Flower” on the GAP may want to stop and swoon over this beautiful flower, which along with its sisters has excited the passions of poets and playwrights down through the ages.
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